Review: Liapole tsa kGuata



Liapole tsa kGuata



Apples appear in many religious traditions, mythology and folk tales; often as a mystical or forbidden fruit. In Liapole tsa kGuata, the greed for an apple tree has fatal repercussions for a king. 
Initially intended to be performed for Lesotho’s King Letsie III, Liapole tsa kGauta is a play based on a Sesotho fiction by G. C. Manyeli.  Written and directed by Palesa Matabane, the play is centred on the quest of a king to stop a bird from eating the apples from his tree.
Mtabane’s production meticulously captures the narrative of the fiction through the use of nonverbal communication. The tale aims to show audiences that there are other ways to find understanding when language is a barrier for dialogue.
The play began in the Chapel and swiftly moved to the quad of the Drama Department. Drum beats and harmonious acapella Sesotho songs, as well as several cast members dressed in black led the audience to the next location.
As a siSotho speaker, I could not grasp some of the jargon in the dialogue however, my understanding along with other audience members, was guided by the meticulous use of emotive facial expressions coupled with vigorous body movements and hand gestures.
Do not be deterred by the name; Liapole tsa kGauta tells a significant tale with bursts of comedic relief, drama and romance that are sure to keep you entertained.  The play will be performed at the Morija Arts& Cultural festival in Lesotho later this year. -Koketso Dlongolo

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